4115
5-5080, atma “at” math
here at umd dot edu
Office Hours: MW 11:30-noon or by
appointment
Class meets Mondays and Wednesdays 10:00am-11:30am in
Math 1311.
Course page: http://www.math.umd.edu/~atma/hp07.htm
(or on Blackboard)
Course description: The aim of this course is
to introduce students to the interactions, interrelations, and analogies
between mathematics and art.
Mathematicians (and scientists, in general) are in
search of ideas, truth and beauty, not too different from artists. Our task
will be to see the parallels between the viewpoints, the inspirations, the
goals of (and the works produced by) artists and scientists.
We shall begin with
examples from history of art (such as the theory of perspective due to Leonardo
da Vinci), works of art (such as Durer's Melancholia,
Escher’s Waterfall), architecture (Parthenon, Le Corbusier) to illustrate the
impact of mathematics on art. Of special interest to us will be the period of
the Italian Renaissance and also the early part of the 20th century (the new
viewpoint on space-time). Time permitting, the
affinity of music with mathematics will also be explored (as in the music of
Bach, or the foundations of tone, the role of harmony). Simultaneously, we shall explore beauty
in mathematics; this will be amply illustrated with examples from the history
of mathematics. Emphasis will be put on the aesthetic aspect of things. We will
even see how truth and beauty come together in a beautiful proof.
The course material could
be roughly divided into three parts: geometry and classical art, truth and
beauty in math (proofs), beauty in science (higher-dimensions, space-time,
physics) and modern art (Cezanne, Picasso, Escher, Kandinsky).
All through the semester,
we will be comparing and contrasting the two subjects. Hopefully, by the end of
the semester, one's sense of beauty will be enriched also to appreciate beauty
in the world of mathematics.
Books: (Additional reading material will be
distributed via Blackboard)
Jinny Beyer, Designing tessellations
Amir Aczel,
The artist and the mathematician
Hans Magnus Enzenberger, Number Devil
William Ivins, Art and Geometry: Study in space intuitions
Mario Livio, The equation that could not be solved: How
mathematical genius discovered the language of symmetry
Tor Norretranders, The user illusion
Leonard Shlain, Art and Physics
Leonard Shlain, The alphabet versus the Goddess: The
conflict between Word and Image
Theodore Cook, The
curves of life
Arthur Loeb, Concepts
and Images: Visual Mathematics
Samuel Colman, Harmonic
proportions and Form in Nature, Art and Architecture
George Gamow, The new
world of Mr. Tompkins (revised and updated)
Howard Gardner, Creating
Minds: An anatomy of creativity seen through the lives of Freud,
Einstein, Picasso, Stravinsky, Eliot, Graham and Gandhi
H. E. Huntley, The Divine Proportion
Hermann Weyl,
Symmetry
Georges Ghevergese
Joseph, The crest of the Peacock
Daniel Pedoe,
Mathematics and the visual Arts
Douglas
Hofstadter, Godel, Escher and Bach.
Robert Pirsig,
Zen and the art of motorcycle maintenance.
Jerry King, The art of
mathematics.
Walter Pater, The
renaissance.
Subrahmanyam
Chandrasekhar, Truth and Beauty.
V. S. Ramachandran, Shadows
in the Brain
Roger Penrose, The
emperor’s new mind and Shadows of the mind: a search for the missing
science of consciousness
C. P. Snow, The two
cultures
Carol Parikh, The unreal
life of Oscar Zariski
Barbara Goldsmith, Obsessive
Genius: The inner life of Marie Curie
Rebecca Goldstein, Incompleteness:
The proof and paradox of Kurt Godel
Albert Einstein, Ideas
and Opinions
Paul Hoffman, The man
who loved only numbers: The story of Paul Erdos and
the search for mathematical truth.
Robert Kanigel,
The man who knew infinity
Andre Weil, The
apprenticeship of a mathematician
Maurice Mashaal,
Bourbaki: a secret society of
mathematicians
Hilbert and Vohn-Cossen, Geometry and the imagination
Jacques Hadamard,
The psychology of invention in the mathematical field
Rene Descartes,
Discourse on method and meditations on first philosophy
Johannes Kepler, The harmony of the world
Keith Devlin, Mathematics:
the science of patterns.
Bulent Atalay,
Math and the Mona Lisa: The art and science of Leonardo da
Vinci.
Arthur Miller, Einstein,
Picasso: Space, Time, and the beauty that causes havoc.
(There is so much material
available in books (go to the Popular Math section of your favourite
bookstore) and online that it is impossible to list. I urge you to google ``Math and Art''.)
Plays: Tom Stoppard,
Tom Stoppard, Rosencrantz
and Guildenstern are dead.
Michael Frayn,
Joanne Sydney and Joshua Rosenblum, Fermat’s Last Tango.
Useful periodicals: American Mathematical
Monthly, The Mathematical Intelligencer, Mathematics Magazine, Scientific
American,.
Course Format and Grading:
This is a seminar. As such,
there will be both lectures and discussions. Students are expected to actively
participate in class. There will be reading assignments and students are
supposed to come prepared to discuss them in class. There is an overabundance
of reference material (see course homepage). In-class and out-of-class
discussions are greatly encouraged. There will be guest lectures and (perhaps)
a field trip to a museum in DC.
Specific
requirements:
Presentation |
200 |
Mini-tests |
200 |
Final paper |
300 |
Discussions and Class participation |
100 |
Biweekly Reports |
100 |
Total |
900 |
Many topics are possible
for the final paper; here are -- but only a few -- suggestions: From
"Leonardo da Vinci, the Renaissance human"
to "The mathematics of snowflakes" to "How did Escher make his
drawings" to "Why the second law of thermodynamics is beautiful"
to "Comparison between the works of Newton, Shakespeare and
Beethoven". It is best to choose a topic that is close to your actual
interests.
Class on 19th
November will be devoted to a discussion of Final Paper/Project.
Students will obtain
constructive suggestions and criticism from instructor and classmates.
Assignment schedule:
Other academic matters:
• Academic Accommodations: If you have a documented disability,
you should contact Disability Support Services 0126 Shoemaker Hall. Each
semester students with documented disabilities should apply to DSS for
accommodation request forms which you can provide to your professors as proof
of your eligibility for accommodations. The rules for eligibility and the
types of accommodations a student may request can be reviewed on the DSS web
site at http://www.counseling.umd.edu/DSS/receiving_serv.html.
.
• Religious Observances: The
University System of Maryland policy provides that students should not be
penalized because of observances of their religious beliefs, students shall be
given an opportunity, whenever feasible, to make up within a reasonable time
any academic assignment that is missed due to individual participation in
religious observances. It is the responsibility of the student to inform
the instructor of any intended absences for religious observances in
advance. Notice should be provided as soon as possible but no later than
the end of the schedule adjustment period. Faculty should further remind
students that prior notification is especially important in connection with
final exams, since failure to reschedule a final exam before the conclusion of
the final examination period may result in loss of credits during the
semester. The problem is especially likely to arise when final exams are
scheduled on Saturdays.
• Academic integrity: The
The University of Maryland is one of a small number of universities with a student-administered Honors Code
and an Honors Pledge, available on the web
at http://www.jpo.umd.edu/aca/honorpledge.html.
The code prohibits students from cheating on exams, plagiarizing papers, submitting the same paper for credit in
two courses without authorization, buying papers, submitting fraudulent documents, and forging signatures.
The University Senate encourages instructors to ask students to write the following signed statement
on each examination or assignment:
"I pledge on my honor that I have not given or received any unauthorized assistance on this examination (or assignment).”
•Snow Days:
In the event of inclement weather or other emergencies affecting the campus area,
classes and exams will be held unless the campus is officially closed.
You can check the campus web page or call 301-405-SNOW for snow closure information.
Should any classes or exams be cancelled, please check the class schedule page
for updated schedule information.
Please keep visiting the
course page (and/or Blackboard) for updates.
This course is part of CORE Distributive
Studies: CORE:
Mathematics and Sciences, non-lab [MS].
Student Learning Outcomes for Mathematics and Formal Reasoning (MS):
Students
should be able to: